Cave of the Day, Cave of the Night
40.698159620000766, -73.93686609879293Curator: Chiarina Chen
Artists: Bonan Li, Gumi Lu, Bowen Li
A cave is a living thing. It absorbs, restores, immanently transforms.
Featuring the artists Bonan Li, Bowen Li, and Gumi Lu, Cave of the Day, Cave of the Night is a collaborative project centered around the act of cave-making. The exhibition began with a simple question: How do we navigate a world that feels increasingly fragile, out of touch, and entangled with forces beyond our control?
Spanning fabric sculptures, multimedia installations, sketches, and projections, the exhibition transforms the gallery space into a meditative cave that is constantly reconfiguring. It doesn’t merely embrace light and harmony but also confronts scars, pain, secrecy, and unanswered questions.
The three artists, with their diverse backgrounds and mediums, approach materials intuitively, exploring the delicate balance between body and nature, agency and control, and the visible and hidden emotional-material networks surrounding us. These explorations are deeply intertwined with their precarious, sometimes disorienting diasporic experiences, revealing an innate empathy toward the materials they engage with and the connections they forge. Whether it’s Bonan’s earthy landscapes, Bowen’s river of remembrance, or Gumi’s machinic bodies, the works prompt us to rethink the notion of agency—not as a possession of individuals or objects, but as a relationship. As Karen Barad suggests, agency is tied to response-ability—the ethical accountability involved in reconfiguring entanglements, which inherently includes the power imbalances that cannot be romanticized or ignored.
Inspired by Polish writer Olga Tokarczuk, the exhibition offers two parallel narratives: the cave of the day and the cave of the night. This setting evokes a liminal space where more than one reality exists simultaneously. The stories behind the artworks are embedded within each version, and you are invited to choose your path based on intuition and feeling.
However, remember that each visitor may choose only one version at any given time during their visit. Each narrative reveals its own truth while concealing the other. Once you enter your chosen version, the other becomes inaccessible, and its presence is felt only by its absence.
The sense of response-ability—the power to affect and be affected—is therefore enacted throughout the cave. You will witness how material, semiotic, and emotional forces converge to create new realities. Yet, you must also reconcile with the fact that by choosing one version, you are relinquishing the insights of the excluded other. From the moment you make your choice, the cave invites you to explore its tentacular possibilities, guided by your body and instincts.
Here, you're not just a spectator, but part of the unfolding.
So, which will you choose—the cave of the day, or the cave of the night?
Chiarina Chen, Curator
Step inside… Welcome to the Cave of the Day. We present you with details of the works to complement the ‘daytime’ experience. It reflects on how our bodies are affected and being affected through each encounter and act of kin-making.
Photo by Hao Zeng
Floating Landscape. Bonan Li (2024).
Polyester, nylon, silk, metallic
In Floating Landscape, Bonan Li wishes to explore the ambiguous poetics inherent to the world through the clothing and cloth-making. For Bonan, the clothing is a mediator between nature and the human body. It manifests the natural formation of all things as they are experienced, revealing the primal connection between humans and nature on a sensory level. The meandering, loose structure of the piece invites audiences to open the cracks, gaps, and the infinite possibilities of unfolding the inner worlds while awakening the latent experiences rooted in the consciousness of others.
Welcome to the Cave of the Night, where shadows unveil the personal memories, fragile balance of power, and unseen forces. We have prepared a list of private notes from artists for you. As you navigate the cave, let your body guide you freely. Imagine that you have tentacles. Think you are in a cave that responds to you. If things feel out of touch or lack of meaning, remember that’s ok. That’s part of the night stroll.
Kindly approach the cave with curiosity and care.
Kindly approach the cave with curiosity and care.
Photo by Hao Zeng & Jingyi Zhu
Floating Landscape. Bonan Li (2024).
Polyester, nylon, silk, metallic
I would collect lotus leaves and observe them as they slowly withered in my childhood. The natural essence they embodied, infused with the vastness of the universe, evoked a sense of timelessness. By observing the decay of the lotus leaves, I came to deeply experience the connection between myself, nature, and the world. However, in repeatedly attempting to interpret a withered lotus leaf through the lens of human culture and society, I often overlooked a certain strangeness, an unfamiliar, unassimilable sense of solid presence—something that resisted integration into the lived environment.
This inherent “rootedness” of natural objects in the world—their presence and the dimension of being—often pushed me beyond the confines of my understanding of the world, compelling me to explore, with heightened curiosity, the unperceived reality of the world’s domain—a realm full of cracks, voids, and chaotic “nothingness.” As I matured and experienced the death of loved ones, I was confronted with death as a constant presence within the continuum of life, akin to the true nature of the world’s domain. This realm presented itself as an absolute void, filled with cracks and ruptures in the continuity of existence. These experiences profoundly impacted me, awakening within a desire to express this state of void, the blank fissures in the fabric of life, and the presence of death that flows through the gaps of the living world.
This exhibition is curated by post-humanist scholar Chiararina Chen
A heartfelt thank you to the opening performers, Hedy Zhou